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Projects Delivered — Reference Installations in the Field

Twenty-two documented project references across 22 countries, from open-air festival main stages to 620-seat theatre refits. Every case below is backed by a signed fixture schedule, a photometric study and a delivered configuration you can order as-is or adapt to your own room.

22Documented references
2,066+Fixtures deployed
22Countries
96%On-time delivery
68%Repeat order rate

What Backs Every Project Reference

A case study is only useful if you can check the numbers. These six documents are produced for every project we quote and ship — and they are the same documents you receive with your own order.

1

Fixture Schedule & BOM

Position, model, quantity and purpose for every fixture, with mounting height and beam angle. This is the document the install team works from.

2

Photometric Study

Illuminance plot for your actual room: lux at stage level, coverage and uniformity ratio, so you can see the result before committing budget.

3

DMX & Power Plan

Address allocation table, universe map, circuit load calculation and a cable schedule. Phase-balanced before load-in, not discovered on site.

4

Batch QC & Photometric Files

48-hour burn-in on every unit, individual QC report, IES / LDT files and the LED colour binning report for the batch you receive.

5

Commissioning Record

Signed commissioning report with measured values, preset and scene list, and a recorded training session for your operators.

6

Spare Parts & Service Plan

Recommended 3–5% spare allocation, service intervals driven by RDM fixture hours, and guaranteed parts availability for seven years.

Where We Deliver — Market Coverage

Compliance, voltage and lead times differ by destination. These are the markets we ship project orders into most often, and what each one requires.

Europe (EU)

Concert touring, rental fleets, municipal theatres, seasonal installations. CE + RoHS documentation as standard. 230 V / 50 Hz.

Typical lead: 15–25 days production + 30–35 days sea freight.

North America

Church campuses, touring, broadcast and esports venues. ETL / cETL and FCC available for project orders. 120 V / 60 Hz and 208 V configurations.

Typical lead: 20–30 days production + 25–30 days sea freight.

United Kingdom & Ireland

Theatre refits, rental houses, corporate roadshows. UKCA and CE documentation supplied together. 230 V / 50 Hz, BS1363 and 13 A / 16 A options.

Typical lead: 15–25 days production + 30–35 days sea freight.

Middle East

Hotel ballrooms, event production houses, large-scale openings. SASO and SABER support for Saudi shipments, 230 V / 50 Hz.

Typical lead: 20–30 days production + 18–22 days sea freight.

Asia-Pacific

Broadcast studios, esports arenas, hospitality and education. PSE (Japan), RCM (Australia) and local voltage variants on request.

Typical lead: 15–25 days production + 12–20 days sea freight.

Latin America

Stadium shows, festival production, convention centres. Portuguese and Spanish documentation, 127 V / 220 V / 60 Hz variants.

Typical lead: 20–30 days production + 35–45 days sea freight.

Featured Case Studies

Six projects in detail: the brief we were given, what we actually delivered, the fixture configuration, and the measured outcome.

Client confidentiality. Venue and operator names are withheld under NDA for most references. For qualified buyers we arrange reference calls and, where the end client agrees, site visits — ask your sales contact for references in your market.

Open-Air Electronic Festival — Three Stages, Twelve Days
Open-Air Electronic Festival — Three Stages, Twelve Days — fixture
Open-Air Electronic Festival — Three Stages, Twelve Days — fixture
Open-Air Electronic Festival — Three Stages, Twelve Days — fixture
Open-Air Electronic Festival — Three Stages, Twelve Days — fixture
Case Study 01 — Outdoor Festival

Open-Air Electronic Festival — Three Stages, Twelve Days

Germany’s summer festival season does not wait for good weather. The promoter wanted a main-stage rig that could stay rigged and powered through twelve days of rain instead of being bagged and struck every night — without doubling the generator budget.

Region Germany Year 2025 Venue 3 stages · main 24 m × 14 m Fixtures 168 Run 12 show days

The brief

  • Weather exposure. Nine of the twelve show days had rain. Every fixture on the three exposed trusses had to run uncovered, unattended, overnight.
  • Load-in window. The site gave 36 hours to rig three stages. Conventional bagging and de-rigging each night was not an option.
  • Power budget. Two 125 A generators fed the whole site. The rig had to be re-specified around a hard 60 kW ceiling per stage.
  • Fault visibility. With 168 fixtures spread over 200 m of field, the crew needed to find a dead unit from FOH instead of walking the site.

What we delivered

  • IP65 where it matters. SL-IP-B400, SL-IP-W400 and SL-IP-H600 bodies with sealed optics and conformal-coated drivers on all exposed positions; standard bodies only under the stage roof.
  • Generator load model. We delivered a per-position current draw table so the site electrician could balance phases before load-in, not during it.
  • RDM monitoring. Two SL-C2 controllers distributed Art-Net and polled every fixture — fixture status, temperature and hours visible from FOH.
  • Pre-rigged trusses. Fixtures shipped clamped and cabled on pre-built truss sections in flight cases, cutting the rig time per stage to about 12 hours.
168Fixtures deployed
0Weather-related failures
38 hTotal load-in, 3 stages
57 kWPeak draw per stage

Delivered configuration

PositionModelQtyPurpose
Upstage truss (exposed)SL-IP-B40024Narrow beam shafts above the roof line
Mid truss (exposed)SL-IP-H60018Beam / spot / wash key light
Downstage truss (exposed)SL-IP-W40020Stage wash, colour and audience blinder
Delay towers (exposed)SL-IP-W40016Delay tower and crowd wash
Stage lip (covered)SL-P150024Pixel matrix across the front edge
Ground row (covered)SL-PAR182040Backdrop and scenic up-lighting
Upstage video surface (covered)SL-PW194012Pixel wash behind the stage
Side towers (covered)SL-ST40012Strobe and blinder accents
FOHSL-C22Art-Net distribution + RDM monitoring
IP65 on all exposed positions Conformal-coated drivers RDM status monitoring Pre-rigged truss delivery Per-position load table 16-bit dimming

“We stopped budgeting for weather. The rig went up in June and came down in June — nothing was bagged, nothing was swapped, and we came in under generator cost for the first time in four years.”— Technical Director, festival production company, Hamburg

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Arena Tour — 30-Date European Leg
Arena Tour — 30-Date European Leg — fixture
Arena Tour — 30-Date European Leg — fixture
Arena Tour — 30-Date European Leg — fixture
Arena Tour — 30-Date European Leg — fixture
Case Study 02 — Arena Tour

Arena Tour — 30-Date European Leg

A 3-in-1 hybrid platform let the designer hold beam, spot and wash looks across eight weeks of venues without changing the fixture count on the truss — or the truck pack.

Region 9 countries, Europe Year 2025 Venue Arenas, 8,000–15,000 cap Fixtures 151 Run 30 shows / 8 weeks

The brief

  • Variable trims. Trim height ranged from 9 m to 16 m between venues. Fixed-beam rigs either punched through or died in the air.
  • Truck pack limits. Two 13.6 m trailers for the whole show. Every additional fixture type meant another case and another case meant another truck.
  • Colour consistency. Fixtures from three production batches had to match on camera across the whole leg.
  • Spares strategy. A failure in week seven could not end the tour. The spares kit had to be defined before load-out, not after.

What we delivered

  • One platform, three roles. SL-H400 hybrids on the mid truss covered beam, gobo and wash, removing a whole fixture type from the pack.
  • Batch binning report. All 151 units shipped from a single LED bin with a measured colour report, so replacement units matched on sight.
  • Unified firmware. Every fixture left on identical firmware with a single personality file, so a swap on the road needed no re-patching.
  • Defined spares kit. A 10% allocation with a case map — the crew knew which case to open at 2 a.m. in a foreign arena.
151Fixtures on the road
30Shows, zero cancellations
4.5 hAverage load-in
2Trailers, unchanged

Delivered configuration

PositionModelQtyPurpose
Upstage trussSL-B28016Air shafts and audience sweeps
Mid trussSL-H40024Beam + gobo + wash from one fixture
Downstage trussSL-W40020Even stage coverage
Side towersSL-PW194016Pixel wash, video surface
Stage lipSL-P150018Pixel matrix, beat sync
Floor packageSL-ST40012Blinder hits and strobe
House washSL-PAR182032Audience and architectural wash
FOHSL-C22Master control, Art-Net + RDM
Spares kitSL-B2801110% allocation, pre-addressed
3-in-1 hybrid platform Single LED bin across batches Identical firmware build 10% spares allocation 2.2 s full pan/tilt RDM remote addressing

“Same two trucks, same fixture count, thirty different rooms. That is the whole business case — and the colour held from Lisbon to Helsinki.”— Production Manager, European touring production

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Regional Rental House — Fleet Standardisation
Regional Rental House — Fleet Standardisation — fixture
Regional Rental House — Fleet Standardisation — fixture
Regional Rental House — Fleet Standardisation — fixture
Regional Rental House — Fleet Standardisation — fixture
Case Study 03 — Rental Fleet

Regional Rental House — Fleet Standardisation

Over two seasons we replaced four mixed-brand generations of moving lights with six RiGeBa Lighting families — and cut the spare-parts catalogue from 38 SKUs to nine.

Region Australia Year 2024–2025 Venue Sydney + Melbourne warehouses Fixtures 324 Run 2 phases

The brief

  • Four generations of stock. Beam, spot and wash came from three different brands bought between 2015 and 2022. Nothing shared a spare part or a personality.
  • Spare-parts overhead. 38 active spare SKUs tied up working capital and shelf space for parts that moved twice a year.
  • Prep time. Every fixture type had its own prep routine. Technicians were retrained per brand, and prep errors went out on trucks.
  • Colour matching. Mixed bins meant a truck pack from two different years never matched on site.

What we delivered

  • Common internals. PSU, main board, fan and LED module are shared across the SL-B family — one spare set covers three models.
  • Six families, not sixteen. The fleet consolidated onto B, H, W, PAR, pixel and control families covering every job type the house books.
  • Technician training. Two on-site sessions covering service, firmware update and RDM workflow for the whole workshop team.
  • RDM inventory workflow. Fixture hours and fault logs now drive the service schedule instead of a clipboard.
324Fixtures delivered
38 → 9Spare SKUs
−32%Average prep time
2Phased seasons

Delivered configuration

PositionModelQtyPurpose
General beam stockSL-B20060Club and corporate default beam
Large-format beamSL-B28048Arena and festival jobs
Spot stockSL-S30036Gobo and textured looks
Wash stockSL-W40060Stage and room wash
Hybrid stockSL-H28040Dry-hire and one-truck jobs
Uplight stockSL-PAR182050Room and architectural wash
Pixel stockSL-P100024Bar and band façades
ControlSL-C26Shop floor test + RDM management
Shared PSU / board / LED module Field-swappable modules RDM fault and hours logging Technician training included Colour binning per batch 24-month warranty

“The parts shelf is the real saving. We went from a wall of boxes to a single rack, and the workshop knows every fixture in the building.”— Operations Director, rental and production house, Sydney

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Municipal Theatre — Tungsten to LED Refit
Municipal Theatre — Tungsten to LED Refit — fixture
Municipal Theatre — Tungsten to LED Refit — fixture
Municipal Theatre — Tungsten to LED Refit — fixture
Municipal Theatre — Tungsten to LED Refit — fixture
Case Study 04 — Theatre Refit

Municipal Theatre — Tungsten to LED Refit

A 620-seat civic theatre moved off a 1990s tungsten inventory in six weeks. The brief was not brightness — it was silence, dimmer-rack removal and skin tones the resident companies would accept.

Region United Kingdom Year 2024 Venue 620 seats · 14 m proscenium Fixtures 52 Run 6-week install

The brief

  • Noise floor. FOH bars sit 6 m from the front row. Anything above ~28 dBA was audible during quiet scenes.
  • Skin tones. Resident opera and drama companies rejected previous LED trials on R9. The refit had to satisfy the lighting designers, not the spreadsheet.
  • Existing infrastructure. Six dimmed circuits per position. Re-cabling the grid was not in the budget.
  • Fixed install window. Six weeks between the summer closure and the first rehearsal, including focusing.

What we delivered

  • Fanless fresnels. SL-F200 and SL-F300 run convection-cooled — measured 24 dBA at the FOH bar, below the room’s own noise floor.
  • Photometric study first. We modelled the 14 m stage width for even coverage before a single fixture shipped, and sized the FOH positions from the lux plot.
  • Reuse of existing wiring. New DMX distribution ran alongside the old dimmed circuits, so the grid was not re-cabled.
  • Focus and handover. Two days on site for focusing, preset writing and a handover session with the venue technicians.
52Fixtures installed
−68%Lighting power draw
24 dBAMeasured at FOH
6Weeks, install to first rehearsal

Delivered configuration

PositionModelQtyPurpose
FOH bar 1SL-F20014Front key light, tuneable white
FOH bar 2 / cycSL-F30010Wider front fill and cyc wash
Follow spot positionsSL-FS4002Manual follow spots
Side boomsSL-S6008Cross light and gobo textures
Upstage specialsSL-S4004Shafts and breakups
Cyc and ground rowSL-PAR121012Cyclorama and scenic wash
Backup / buskingSL-C12Manual console, rehearsal room
Fanless convection cooling CRI 95+ / high R9 3200K–5600K tuneable 16-bit dimming to 0.1% Photometric study included UKCA / CE documentation

“Our designers stopped asking for the tungsten truck. The front light is quiet, the cyc is even, and the power bill is a third of what it was.”— Technical Manager, municipal theatre, United Kingdom

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Nightclub Relaunch — Pixel-First Room Design
Nightclub Relaunch — Pixel-First Room Design — fixture
Nightclub Relaunch — Pixel-First Room Design — fixture
Nightclub Relaunch — Pixel-First Room Design — fixture
Nightclub Relaunch — Pixel-First Room Design — fixture
Case Study 05 — Club & DJ

Nightclub Relaunch — Pixel-First Room Design

A 700 m² main room with a 3.4 m ceiling. Long-throw movers were never going to work, so the room was designed around pixel surfaces, short-throw wash and two laser systems.

Region Spain Year 2025 Venue 700 m² main room · 3.4 m trim Fixtures 92 Run 3-week fit-out

The brief

  • Ceiling height. At 3.4 m trim a 2° beam has nowhere to go. The room needed coverage and movement, not throw.
  • Heat load. The venue’s existing AC could not absorb another 30 kW of lighting on a full room.
  • Different every night. The operator wanted twelve distinct looks pre-built, so a Tuesday resident and a Saturday guest DJ do not look identical.
  • Cable paths. No accessible ceiling void over the dance floor — wireless and battery fixtures were the only option for wall positions.

What we delivered

  • Pixel-first layout. A ceiling grid of SL-P1000 bars plus an SL-P1500 façade behind the booth gives the room its movement without any long-throw fixture.
  • Wireless uplighting. SL-PARWAUV battery units on the perimeter with wireless DMX — no cable runs, no holes in a listed building.
  • Twelve programmed looks. Looks, chases and timecode triggers were pre-programmed and handed over on the SL-C2, with a written cue sheet.
  • Thermal budget. Total installed draw held at 18 kW, inside the existing AC capacity.
92Fixtures installed
18 kWTotal installed draw
12Pre-programmed looks
3 wksFit-out to opening

Delivered configuration

PositionModelQtyPurpose
Ceiling gridSL-P100020Room-wide pixel matrix
DJ booth façadeSL-P150012Booth pixel surface
Dance floor washSL-W20016Short-throw colour wash
Perimeter uplightingSL-PARWAUV30Wireless battery uplights
Aerial effectsSL-L12Laser aerials over the floor
Accent / strobeSL-ST4008Beat-synced strobe hits
FOH boothSL-C22Look playback, timecode, RDM
Feature washSL-PW19402Wide pixel wash for specials
Wireless DMX on perimeter Battery uplights, no cabling 18 kW total draw Timecode-triggered looks Fanless options at low trim 2-year warranty

“They designed the room around what the ceiling could actually take, not around a catalogue. Twelve looks, one button, and the AC still copes in August.”— Venue Owner, nightclub, Barcelona

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Multi-Site Church — Broadcast-Ready Sanctuary Package
Multi-Site Church — Broadcast-Ready Sanctuary Package — fixture
Multi-Site Church — Broadcast-Ready Sanctuary Package — fixture
Multi-Site Church — Broadcast-Ready Sanctuary Package — fixture
Multi-Site Church — Broadcast-Ready Sanctuary Package — fixture
Case Study 06 — Church & Worship

Multi-Site Church — Broadcast-Ready Sanctuary Package

Four campuses, one standard package. The lighting had to hold skin tones at 5600K for the camera while staying bright enough for congregational singing — and be operable by volunteers.

Region United States Year 2025 Venue 4 campuses · 900–1,800 seats Fixtures 59 Run 4-campus rollout

The brief

  • Camera first. The stream is the front door. Skin tones had to hold at 5600K with no green shift and no flicker at 60 fps and 120 fps.
  • Volunteer operation. The Sunday operator is a volunteer with ten minutes of training. Presets had to be one button, not a cue stack.
  • Congregational light. House light for singing has to be bright enough to read a book without washing out the stage.
  • Replication. The same package had to drop into four rooms of different sizes without a redesign each time.

What we delivered

  • Standard package. One fixture schedule repeated across all four campuses, with per-room quantity scaling from the photometric study.
  • One-button presets. Six scenes written into each SL-C1: preaching, worship, baptisms, communion, stream-only and clean-up.
  • Flicker-free drivers. High-frequency PWM verified at 60/120/240 fps before shipment, with the test report in the delivery pack.
  • Per-campus spares. Each campus holds its own spare kit and a laminated quick-start card next to the console.
59Fixtures across 4 sites
800 luxStage key at 5600K
3 hVolunteer training per campus
6One-button scenes

Delivered configuration

PositionModelQtyPurpose
Stage key lightSL-F2008Tuneable white key, camera-safe
House and stage washSL-PAR121016Congregational and stage fill
Colour washSL-W30012Worship colour and movement
SpecialsSL-S3004Gobos and texture for sermon moments
Back wall pixelSL-P100012Pixel surface behind the stage
Per-campus consoleSL-C14Six preset scenes, volunteer operation
Overflow roomsSL-BPAR3Battery uplights, no cabling
Flicker-free at 60/120/240 fps CRI 95+, high R9 Six preset scenes Volunteer training included Per-campus spare kits ETL / CE documentation

“The volunteers run it. That was the whole requirement — and the stream looks better than the room did before.”— Production Pastor, multi-site church, Texas

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More Delivered Projects

A further 16 project references across concert, rental, theatre, club, worship, broadcast and outdoor work.

16
Additional References
1,220+
Fixtures Deployed
6
Application Types
24 mo
Project Warranty
City Centre Light Festival — Architectural Wash
Outdoor

City Centre Light Festival — Architectural Wash

Rotterdam, Netherlands · 2025

Coastal weather and unattended dusk-to-midnight running. Sealed bodies with a seasonal maintenance plan and spare units held on site.

  • Fixtures: 72
  • Scope: Heritage façade · 18 nights unattended
Equipment used: SL-IP-W400SL-IP-H600SL-PW1940
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Broadcast Studio — Flicker-Free White Light
Corporate & Broadcast

Broadcast Studio — Flicker-Free White Light

Lyon, France · 2025

High-CRI, flicker-free output verified at 240 fps for slow motion, with silent operation on the studio floor and a DMX plan for the existing desk.

  • Fixtures: 34
  • Scope: 2 studios · 240 fps capture
Equipment used: SL-F300SL-F500SL-S200
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Stadium Show — 40,000 Capacity
Concert

Stadium Show — 40,000 Capacity

São Paulo, Brazil · 2024

Long-throw beam work from the outer trusses with a pixel wash surface upstage. Throw distances modelled before the fixture count was fixed.

  • Fixtures: 134
  • Scope: 60 m stage · single-show build
Equipment used: SL-B400SL-B600SL-PW1940SL-H600
Request Similar System →
Dry-Hire Partner — Compact Event Inventory
Rental & Touring

Dry-Hire Partner — Compact Event Inventory

Toronto, Canada · 2025

Battery fixtures with wireless DMX to cut cable runs and labour on site, plus a standardised flight-case format for van-based deliveries.

  • Fixtures: 232
  • Scope: Year-round stock · wedding and corporate
Equipment used: SL-BPARSL-PAR1210SL-P1000SL-W200
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Beach Club — Salt-Air Resistant Install
Club & DJ

Beach Club — Salt-Air Resistant Install

Sardinia, Italy · 2024

Salt air destroyed the previous generation in two seasons. Sealed IP65 bodies with conformal-coated PCBs and a documented rinse-down procedure.

  • Fixtures: 54
  • Scope: Permanent install · coastal exposure
Equipment used: SL-IP-W400SL-IP-B400SL-L2SL-PARWAUV
Request Similar System →
Touring Musical — Follow Spot Package
Theatre

Touring Musical — Follow Spot Package

North America tour · 2025

Six follow-spot positions across a 20-venue tour, with repeatable focus marks and a strike procedure that fits a one-day load-out.

  • Fixtures: 55
  • Scope: 20 venues · repeatable focus
Equipment used: SL-FS400SL-S400SL-W300SL-C2
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Wedding & Event Production House — Fleet Build-Out
Event & Wedding

Wedding & Event Production House — Fleet Build-Out

Dubai, United Arab Emirates · 2025

A fast-turnover inventory built for same-day ballroom turnarounds: battery uplights, compact washes and a single console workflow for every crew.

  • Fixtures: 86
  • Scope: Year-round · 200+ events per year
Equipment used: SL-BPARSL-W200SL-PARWAUVSL-P1000
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Hotel Ballroom — AV & Lighting Upgrade
Corporate

Hotel Ballroom — AV & Lighting Upgrade

Singapore · 2024

Four divisible rooms sharing one lighting inventory, with per-mode presets so the setup changes with the room layout instead of the crew.

  • Fixtures: 48
  • Scope: 1,200 m² ballroom · 4-way divisible
Equipment used: SL-PAR1820SL-W300SL-P1000SL-C1
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University Auditorium — Teaching Venue Refit
Theatre

University Auditorium — Teaching Venue Refit

Kraków, Poland · 2025

A teaching venue where students operate the desk. Standardised personalities, labelled patch and a spare-parts drawer sized for a student workshop.

  • Fixtures: 41
  • Scope: 480 seats · 8-week install
Equipment used: SL-F200SL-S300SL-PAR1210SL-C1
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Cruise Ship Theatre — Vibration-Tested Install
Theatre

Cruise Ship Theatre — Vibration-Tested Install

Mediterranean · 2024

Shipboard installation with vibration and salt-mist considerations, delivered with marine-grade rigging hardware documentation for class approval.

  • Fixtures: 63
  • Scope: Shipboard · 900-seat theatre
Equipment used: SL-H600SL-W400SL-F300SL-C2
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Esports Arena — Camera-Safe House Rig
Broadcast & Esports

Esports Arena — Camera-Safe House Rig

Seoul, South Korea · 2025

Broadcast-safe output with no banding on high-speed capture, plus pixel surfaces that double as the arena’s screen content during breaks.

  • Fixtures: 118
  • Scope: 1,400 seats · 4-camera broadcast
Equipment used: SL-P1500SL-PW1940SL-W400SL-ST400
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Jazz Club Rebuild — Low-Ceiling Room
Club & DJ

Jazz Club Rebuild — Low-Ceiling Room

Copenhagen, Denmark · 2024

A listening room where the rig has to be invisible and inaudible. Fanless fixtures, pixel accents and a lighting position that does not block sightlines.

  • Fixtures: 38
  • Scope: 180 seats · 2.9 m trim
Equipment used: SL-P1000SL-W200SL-B150SL-C1
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Convention Centre — Flex Hall Inventory
Rental & Touring

Convention Centre — Flex Hall Inventory

Mexico City, Mexico · 2025

An in-house inventory for six halls that reconfigure daily. Colour-coded cases, standard hanging hardware and a shared spares pool across all halls.

  • Fixtures: 96
  • Scope: 6 halls · daily reconfiguration
Equipment used: SL-W600SL-B280SL-PAR1820SL-C2
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Cathedral Christmas Installation
Outdoor & Church

Cathedral Christmas Installation

Cologne, Germany · 2024

A temporary seasonal installation on a heritage façade: non-invasive fixing points, warm-white tuning matched to the stone, and a full de-rig plan.

  • Fixtures: 44
  • Scope: Heritage building · 6-week run
Equipment used: SL-IP-W400SL-IP-B400SL-PAR1210SL-C1
Request Similar System →
Music School Recital Hall — Acoustic-Sensitive Refit
Theatre

Music School Recital Hall — Acoustic-Sensitive Refit

Kyoto, Japan · 2025

A recital hall where the lighting had to be silent enough for solo classical performance, with 100 V supply and PSE documentation for the Japanese market.

  • Fixtures: 29
  • Scope: 260 seats · acoustic hall
Equipment used: SL-F200SL-F300SL-PAR1210SL-C1
Request Similar System →
Product Launch Roadshow — Five-City Tour
Corporate

Product Launch Roadshow — Five-City Tour

United Kingdom · 2025

A roadshow package that loads into a single truck and rebuilds in five different venues, with pre-addressed fixtures and a fixed show file.

  • Fixtures: 76
  • Scope: 5 cities · 3-week roadshow
Equipment used: SL-S200SL-W300SL-P1000SL-B200
Request Similar System →

How a RiGeBa Lighting Project Runs

From first brief to trained operators — the six stages every project follows, with a named deliverable at each one.

Brief & site data

You send room dimensions, trim height, photos, power availability and show format. We tell you within 48 hours what else we need.

Specification & quotation

Fixture schedule, BOM and a photometric study for your room — not a generic package. Quotation follows the specification, not the other way around.

Sample & approval

Demo units or a sample batch where the order justifies it. IES / LDT files, DMX charts and the colour binning report are signed off before production.

Production & QC

48-hour burn-in on every unit, individual QC report, firmware flashed to the agreed build. Batch photos and serial list before shipment.

Logistics & documentation

Packing list, commercial invoice, CE / ETL files, manuals and customs paperwork. EXW, FOB, CIF or DDP.

Commissioning & handover

On-site or remote commissioning, operator training, recommended spare-parts kit and a 24-month warranty from commissioning date.

Commercial Terms, Warranty & Service

The answers buyers need before the first quotation — stated up front rather than negotiated later.

1

Warranty & claims

24 months from commissioning date. Failed units are replaced first and diagnosed second — advance shipment for project-critical fixtures.

2

Spare parts availability

Recommended 3–5% spare allocation quoted with every project. Parts availability guaranteed for 7 years after the last shipment.

3

Production lead time

15–25 days for standard catalogue orders, 35–45 days for OEM / customised project batches. Firm dates confirmed at order, not estimated.

4

Shipping & Incoterms

EXW, FOB, CIF and DDP. Air, sea and rail options with a costed comparison for every project quotation.

5

Payment terms

T/T 30% deposit / 70% before shipment, L/C at sight for container orders, and sample orders by card or PayPal.

6

Documentation pack

IES / LDT photometric files, DMX charts, rigging and load data, CE / ETL / UKCA certificates, and localised user manuals.

Project Buyers Ask Us

Questions we receive in almost every project enquiry.

Yes and yes. Client names and venue identities are withheld under NDA in most cases, but for qualified buyers we arrange reference calls and, where the end client agrees, site visits in Europe, North America and Asia-Pacific. Ask your sales contact for references in your market and project type.

Yes. IES and LDT files for every catalogue fixture are available on request, and a photometric study of your specific room is included with every project quotation. We would rather you validate the numbers before you buy than after.

In most cases yes. We supply colour binning data, DMX personality files and RDM information so our fixtures can be integrated into a mixed-brand inventory, and we can tune dimmer curves and white point to match an existing rig on larger orders.

Every project quotation includes a recommended spare-parts kit, typically 3–5% of fixture count. We guarantee parts availability for seven years after the final shipment of a project, and most service parts are field-swappable without returning the unit.

Your team or your local integrator does, with our support. We provide the rigging data, DMX plan and power schedule, then commission remotely or on site depending on project size. Operator training and a written handover are included.

Yes — housing finish, silkscreen and branding, firmware behaviour, DMX personalities, packaging and localised manuals. Customisation typically adds 15–20 days to the lead time and applies from a minimum order quantity agreed per project.

There is no fixed project MOQ. Sample and evaluation orders start at one unit; project pricing and OEM terms apply from roughly 50 fixtures per model. Mixed-container orders across multiple models are normal and help you hit the price break.

Send the serial number and a short fault description. We ship a replacement first for anything show-critical, then diagnose the returned unit. Failures caused by manufacturing defects are covered in full including freight on agreed terms.

Start Your Project File

Send us your room dimensions, trim height, power availability and show format. You will receive a fixture schedule, photometric study and project quotation within 48 hours.

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